Chinese Art Gallery >> Li Qing
Li Qing was born on 1981 in Huzhou, Zhejiang province,
China. He is a graduate student at China Academy of Art and one of the
representatives of this new generation. In Li Qing's work juxtaposition usually
occurs between two similar subject matters or scenes but in difference
chronologically. The tension or relation between the two is usually the resource
of concept of the work. In China's art scene the juxtaposition of old and new,
which reflects the remarkable social transition taking place over the last three
decades, was/is popular.
Li Qing is making a simple and easily accessible visual world where audience may
exchange idea and share a common feeling. Many of the prototypes of contemporary
Chinese art were heavy in their subject matter in order to express artists'
negative attitude towards the current corruptive system. Li Qing successfully
presents a magic pictorial series of contemporary Chinese art. Simultaneously,
psychological complexity toward the remarkable social transitions of China is
easily understood. His art is a visual game but entwined with social information
that reflects the vicissitudes of the society. The subject matter is ordinary,
and unnoticed, some are like news photo for a propaganda purpose. He presents a
picture that combine with images and reality. Grand rhetoric and heavy theme are
non-exist. Li Qing is more interested with an ordinary scene that affects our
perception to the world. Li Qing is a great practitioner of oil painter. With
his bold brush stroke, exact impasto, and, he smartly turns the visual games and
subject matter into his own painterly game, a pictorial world that reflects
changing reality.
This pair of almost identical paintings by Li Qing is based on an image taken
from The Scandal of the Century, a documentary film on the notorious marriage
between Prince Charles and Princess Diana. Neither of the two paintings is a
strict reproduction of the original image. Instead, the artist has deliberately
inserted six slight alterations into these two paintings, the most noticeable
ones being the two star-shaped knots vs. two round-shaped knots on the red cloth
in the foreground. Wedding is part of a larger series consisting of matching
images in pairs, which the artist started in April 2005. The differences that
the artist designed for every pair of paintings often rise from the
irreproducible nature of experience and memory, the derivatives of conspiracy
and disclosure, the delicate division between reality and forgery, and the
relationship between painting and source image. As the viewer is coaxed into
looking for the distinctions between the two paintings, the artist questions the
principle of painting which dictates that every stroke can't be repeated.
Conclusions: Li Qing is among those group younger artists. Their emergence in
the art scene will be symbolic to Chinese art world and the entire society at
large. For the artist his visual game is perhaps a play of pigment and stroke,
but his audience there is something significant behind the game.
About the Author:
View Li Qing paintings, biography, solo exhibitions, group exhibitions and resource of Li Qing artist. View art online at The Saatchi Gallery - London contemporary art gallery. Li Qing.